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Science Fiction Cinema: Between Fantasy and Reality, by Christine Cornea
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Offering a broad historical and theoretical reassessment of science fiction, Christine Cornea explores the development of this popular genre in cinema from its very beginnings to the present day. Each chapter offers analyses of particular films, situating them within a wider historical/cultural context while also highlighting a specific key thematic issue. Cornea provides vital and unique perspectives on the genre, including discussions of the relevance of psychedelic imagery, race, the “new woman of science,” generic performance, and the prevalence of “techno-orientalism” in recent films. Enriching the book are new interviews with some of the main practitioners in the field, such as Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris, and Billy Gray. While American films are Cornea’s main focus, she also engages with a range of examples from other countries and explains why science fiction lends itself well to transnational reception.
Among the many films discussed are The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element, and eXistenZ.
- Sales Rank: #1146610 in Books
- Brand: Brand: Rutgers University Press
- Published on: 2007-07-10
- Original language: English
- Number of items: 1
- Dimensions: 9.18" h x .76" w x 6.36" l, 1.21 pounds
- Binding: Paperback
- 336 pages
- Used Book in Good Condition
About the Author
Christine Cornea is a lecturer in film and television studies in the School of Film and Television Studies at the University of East Anglia
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
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Outstanding.
2 of 2 people found the following review helpful.
Is science fiction merely "popcorn" entertainment? Not really, and this book helps explain why.
By Roger D. Launius
Science fiction films have been popular since the beginning of cinema. The themes contained in them are timeless, and the inventiveness with which they have been approached is impressive. This interesting analysis connects this form of popular culture to larger themes at play in American society. The themes discussed in this one are appropriate, but perhaps not particularly the most significant, dwelling as they do almost exclusively with the tensions present in the new social history's emphasis on race, ethnicity, class, and gender. Individual chapters single out race and gender for analysis, even as these themes are also brought to bear in all of the other chapters as well. Nothing is real wrong with this approach, but I would have been more enthralled with a broader introduction to a significant genre of film. This is especially the case when it seeks to offer a more general overview.
Were I to write such a book the themes of the new social history would be present no doubt, but I think the larger allegorical aspects of science fiction, the political commentary of governance and polity, the social criticism, the campaigns for reform, and the like quite critical to the story. While I don't want to press this too far, recognizing that Christine Cornea has offered a useful book overall, much more could have been done. I'm hesitant to downgrade the book too much because of what it did not deliver that I had expected, for "Science Fiction Cinema" is still a very fine work; I am seeking that broadly analytical, short, succinct, and engaging overview.
4 of 8 people found the following review helpful.
Useful background info but overly theoretical
By James Fairchild
While preparing to teach a class on The Science Fiction Film, I looked at a number of texts on the subject and chose Cornea's book. That said, I felt it was the best of a bad lot. Science Fiction isn't always easy to categorize, but Cornea lingered over some questionable titles, such as The Demon Seed, and allowed other, more classic or recognizable titles much less space. Also, Cornea, an obvious feminist, wasted a lot of print in my opinion on gender issues. How helpful are chapters entitled "The Masculine Subject of Science Fiction in the 1980s" and "Gender Blending and the Science Fiction Subject in Science Fiction Film" when you're simply trying to introduce the students to the fundamentals of science fiction? Another chapter is on race relations in the science fiction film. Because she's interested in gender issues and race, she favors films that fit these categories and tends to ignore those that don't, skipping some important films. Maybe I'm old fashioned, but I want my students to get a solid grounding in the major themes and films of the genre and not be overly concerned with image and theory. Nevertheless, in spite of these drawbacks, Cornea does tackle the major sci-fi eras, such as the 1950s, with enthusiasm and provides the reader with a sense (though limited) of the history and background to the genre.
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